Sarra Turan, untitled (2012)
Tag Archives: size
Superstudio
‘The Continuous Monument: On the River, project, Perspective’ (1969)
‘The Continuous Monument: On the Rocky Coast, project, Perspective’ (1969)
by Superstudio.
Helmut Smits
Helmut Smits, ‘1847 meter, the distance from my house to my studio’ (2010)
extension lead 10 m
extension cord red 25 m
extension cord yellow 20 m
extension cord green 12 m
extension cord white 3 m
extension cord IKEA KOPPLA 5 m
installation wire black 100 m
rope brown 100 m
rope white 20 m
rope off white 20 m
rope IKEA blue10 m
rope black/blue/white 20 m
sisal rope 45 m
polypropylene rope yellow 45 m
polypropylene rope blue 45 m
polypropylene rope brown 45 m
flexible tube 5 m
nail band 10 m
tape measure 3 m
tape measure 30 m
iron wire 1,5mm green 25 m
iron wire 50 m
iron wire green Gamma 50 m
iron wire green Skandia 50 m
clothesline 20 m
tensioning strap orange 5 m
tensioning strap blue 4 m
stretching foil 150 m
coaxial cable 5 m
yarn 65 m
sandpaper roll kwb 5 m
sandpaper roll 5 m
electrical wire black 5 m
electrical wire white 5 m
electrical wire brown 5 m
electrical wire with switch 2 m
elastic band 10 m
thread 100 m
masons line 40 m
phone cord 2 m
iron cord 3 m
melamine edge 2,5 m
nylon thread 25 m
bandage 4 m
plaster tape 5 m
duct tape 50 m
insulating tape black 4,5 m
insulating tape brown 4,5 m
insulating tape yellow/green 4,5 m
insulating tape blue 4,5 m
insulating tape green 25 m
masking tape Elma 25 m
masking tape Tesa 50 m
12mm masking tape 50 m
masking tape purple 25 m
double sided foam tape 1,5 m
double sided carpet tape 5 m
sealing tape 5 m
aluminum tape 5 m
packing tape Scotch 66 m
packing tape Tesa 66 m
packing tape fragile 66 m
packing tape transparant Scotch 66 m
packing tape transparant Zeeman 25 m
adhesive tape 33 m
adhesive tape crystal 33 m
teflon tape 12 m
Eric Hattan
Eric Hattan, ‘Du neuf avec du vieux’ (2010) installation view at Passerelle Centre d’Art
Cildo Meireles
Cildo Meireles, ‘Southern Cross’ (1969-1970)
Oak and pine cube. Meireles has explained:
Southern Cross was initially conceived as a way of drawing attention, through the issue of scale, to a very important problem, the oversimplification imposed by the proselytising missionaries – essentially the Jesuits – on the cosmogony of the Tupí Indians.
The white culture reduced an indigenous divinity to the god of thunder when in reality their system of belief was a much more complex, poetic and concrete matter, emerging through their mediation of their sacred trees, oak and pine. Through the rubbing together of these two timbers the divinity would manifest its presence.