
It’s Christmasmarket time in Germany and in Leipzig I saw this stall. It had some nice sculptures on its roof!




It’s Christmasmarket time in Germany and in Leipzig I saw this stall. It had some nice sculptures on its roof!





‘Calculator haikus’, by Amos Latteier
Latteier wrote haikus by using the numbers on calculators to form words and then turning the calculator upside down.
“The calculator vocabulary is rather limited. I have come up with 118 words. I wrote a program to search the dictionary and select words that can be spelled using the letters that can be formed on a calculator. Among these are such choice words as gigolo, besiege, and ghee.”
Here’s one:
“Illegible blob
Legless eggshell oozes oil
Elegize his loss
Hellish shoe is beige
I slosh soil, slog hill
Hobble, oh high heel”


Pictures and audio of Rachel Carey‘s installation ‘Haiku potatoes (for autumn)’ (2008)

I recently saw Rebecca Stephany‘s work at the GfZK Leipzig, after she had won the INFORM conceptual design award.
Click to see a more or less incomplete selection of nice works from the show. Sorry about the sorry pictures..

‘Suddenly this Overview’, by Fischli & Weiss
60 sculptures made of unfired clay

‘Popular opposites; little + big’

‘Highway’

‘Mick Jagger and Brian Jones walking home satisfied after writing I can’t get no satisfaction‘


‘Field’ is an Antony Gormley installation of 35,000 clay figures made by a family of Mexican brick-makers. Gormley asked that the figures be easy to hold in one’s hands and that the head and body be in proportion to one another.

Wiebke Siem‘s work for the exhibition ‘Konversationsstücke’ at Johnen Galerie, Berlin.

For some details of individual works, please just click below.

Untitled, by Piero Golia
The machine makes the broom sweep the floor every other second.

Untitled (Carpet), (2002)
Carpet with an arrow always pointing at Golia’s house, like his personal Mecca.

‘Fragile Monumente (Groupshow)’ (2009) by Killian Rüthemann and

Untitled (2008), also by Killian Rüthemann

Maria Eichhorn‘s exhibition ‘Das Geld der Kunsthalle Bern / Money at the Kunsthalle Bern’ (2000) resulted from her research into funding of the exhibition and her decision to devote the entire budget for her show to the renovation of the building. The entire museum was on show during this renovation and visitors could watch the process from up close, even in rooms that were normally hidden from view.