
Reiner Ruthenbeck, ’14 Rote Kissen’ (1983) at Kunstverein Braunschweig.
By mh
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Posted in Composition
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Also tagged 14, action, collection, DIY, found, fourteen, fuckem, handrail, intervention, kunstverein braunschweig, landing, Mark, pillows, railing, red, reiner ruthenbeck, romance
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Nicolas Feldmeyer, Untitled (Woven Portico) (2012)
By mh
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Posted in Composition
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Also tagged action, appropriation, architecture, building, columns, DIY, fuckem, Nicolas Feldmeyer, public art, textile, threading, unknown, wall, woven
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Roeland Tweelinckx, ‘Willful paving’ (2012)
five times 3.5 x 20 x 20 cm / five pavement stones, cement and glue & environment
By dd
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Posted in Composition
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Also tagged action, animism, architecture, belgium, dimensions, dream, found, fuckem, fun, horizontal, light, mechanical sculpture, nature, pavement, peel, Roeland Tweelinckx, stones, street view, vertical
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Roman Ondák, ‘Shared Floor’ (1996)
A stretch of parquet flooring and electrical sockets that Ondák excised from an apartment.
By mh
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Posted in Composition
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Also tagged apartment, architecture, collection, DIY, electrical, flooring, found, fuckem, lift, move, parquet, roman ondak, sculpture, shared floor, shift, sockets, space, unknown, wall
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‘Theorist Training Camp/Practice Piece Part 0’ (2011) by Nathan Gray.


Paul Geelen, untitled (2013)
Silica gel balls and one slug egg.
By mh
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Posted in Composition
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Also tagged balls, collection, corner, found, gallery, infinity, netherlands, one, paul geelen, potential, search, silica gel, slug egg, unknown, wall
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Marcel Broodthaers, ‘Musée de l’art Moderne, Départment des Aigles’ (1968)
In 1968, the Belgian artist Marcel Broodthaers created an installation in his house that he entitled the Musée de l’Art Moderne, Départment des Aigles, or Museum of Modern Art, Department of Eagles. This was a fictive entity in that the museum had neither a permanent building nor a collection; nonetheless, it was elaborated by Broodthaers in about a dozen further installations. Evidence of the museum’s existence (apart from its title) ultimately encompassed specially created objects, films, and art reproductions as well as ephemera such as wall labels and signage.
By mh
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Posted in Composition
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Also tagged aigles, belgium, brussels, collection, department, eagles, emblem, found, house, marcel broodthaers, modern art, museum, paraphernalia, symbolism, unknown
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John Latham, ‘Art and Culture’ (1966-69)
In 1966, Latham borrowed Clement Greenberg’s book Art and Culture from the St Martin’s School of Art library and organised a party at which guests chewed pages from it; the remains were then fermented into mash, distilled and returned in a test-tube to the library.
By mh
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Posted in Composition
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Also tagged action, art and culture, art history, book, chew, clement greenberg, collection, cult, distill, DIY, found, fuckem, fun, john latham, joke, light, liquid, pages, performance, public art, pulp, romance, spit, the wild, theory, trash, unknown
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Eva Kotatkova, Untitled (2009)
From the exhibition Controlled Memory Loss at Hunt Kastner, Prague.
By mh
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Posted in Composition
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Also tagged action, books, controlled, czech, DIY, Eva Kotátková, hunt kastner, loss, memory, multitasking, performance, photograph, prague, reading, romance, simultaneous, text, unknown
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Martin Kippenberger, ‘The Happy End of Franz Kafka’s ‘Amerika’’ (1994)
By mh
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Posted in Composition
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Also tagged amerika, chairs, collection, desks, employment, fictional, field, found, fuckem, fun, furniture, grid, job interviews, kafka, large, Martin Kippenberger, performance, playing, puzzle, sculpture, text, unknown, utopia
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