
Charlotte Posenenske, ‘Streifenbild (Striped Picture)’ (c. 1962)
Aleksei Kruchenykh, ‘Vselenskaia voina (Universal war)’ (1916)
Audio recording. Poems read by Masha Chlenova, 2012. The Museum of Modern Art, New York


Olga Rozanova, ‘Explosion in a Trunk’ and ‘Destruction of Gardens’ from Universal War, an artist book by Aleksei Kruchenykh (1916)
‘Battle of the Futurist and the Ocean’ (~1916)


On March 12, 1919, the Chelsea Arts Club held a costume party, called a Dazzle Ball, at Royal Albert Hall in London. It was inspired by the abstract geometric shapes on camouflaged ships in World War I , a method that was first employed by the British, who called it “dazzle painting” or dazzle camouflage. When the Americans adopted a comparable method, they referred to it by other names, among them “baffle painting,” “jazz painting,” and (rarely) “razzle dazzle.”


‘The descent of the Modernists’ (1922) by E.J. Pace.
A Fundamentalist Christian cartoon portraying Modernism as the descent from Christianity to atheism, first published in 1922 and then used in the book ‘Seven Questions in Dispute’ by William Jennings Bryan.
Chris Evans
Chris Evans, ‘New Rules 5’ (2011)