Composition

Tom of Finland

tom-of-finland-untitled-1968

Tom of Finland, untitled (1968)


Ed van der Elsken

ED VAN DER ELSKEN_Blotebillenharingkarklanten', strand van Zandvoort (1975)

Ed van der Elsken, ‘Blotebillenharingkarklanten’ (Barebuttherringcartcustomers), Zandvoort beach (1975)


Sylvia Sleigh

Sylvia Sleigh, Felicity Rainnie Reclining, 1972

Sylvia Sleigh, ‘Felicity Rainnie Reclining’ (1972)


Marcel Breuer

MarcelBreuer_Long_Chair for Isokon_1935

Marcel Breuer‘s long chair for Isokon (1935)


Richard Hughes

Richard Hughes Untitled (mask), 2010

Richard Hughes, untitled (mask) (2010)


Jacques Tati

tati-oncle-house-1958

From ‘Mon Oncle’ (1958) by Jacques Tati.

Monsieur Hulot lives in the old neighborhood, at the top of a building where you can see the phases of construction over time, dependent on needs and means. The old neighborhood is disheveled, though not messy. The modern cars, and their regimented driving patterns, that we see in the modern part of town are nowhere around. Rather, folks still rely on rickety old carts. Fences and brick walls have come down, have been rebuilt, and are coming down again.


Oskar Dawicki

Oskar-Dawicki_Exit_2009

‘Exit’ (2009) by Oskar Dawicki


Unknown

tower-crash


Bernard Tschumi

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Bernard Tschumi, ‘Advertisements for Architecture’ (1976-1977)

Several early theoretical texts were illustrated with Advertisements for Architecture, a series of postcard-sized juxtapositions of words and images. Each was a manifesto of sorts, confronting the dissociation between the immediacy of spatial experience and the analytical definition of theoretical concepts. The function of the Advertisements —reproduced again and again, as opposed to the single architectural piece—was to trigger desire for something beyond the page itself.

 


Carlo Scarpa

Brion-Cemetery.-Carlo-Scarpa

Brion-Cemetery-Carlo-Scarpa-2

Brion-Cemetery-Carlo-Scarpa-1

Brion-Cemetery-Carlo-Scarpa-3

Brion Cemetary (1968-78), by Carlo Scarpa