Monthly Archives: November 2011


Alon Levin

Alon Levin, ‘Colour study of group behaviour and the need to control’


John Baldessari

‘Semi-close-up of Girl by Geranium …’ (1966) by John Baldessari


Sarah Ann Watson

‘Graham Watson: A Retrospective’ (2011) by Sarah Ann Watson


Stephen Prina

 Stephen Prina, ‘As he remembered it’ (2011)

The point of departure for As He Remembered It is a memory from the 1980s, shared with artist Christopher Williams, of a fitted unit by architect R. M. Schindler that is taken out of its original context, painted, and recontextualized as an independent object.

To bring this personal anecdote to the Hauptraum of the Secession, Prina chose two now-demolished houses built in the early 1940s by R. M. Schindler in Los Angeles for Hilaire Hiler and Mrs. George (Rose) Harris. Using surviving plans and photographs, he had copies made of the fitted units, resulting in 28 objects that were then used as supports for monochrome painting—Prina painted them pink using “PANTONE Honeysuckle 2011 COLOR OF THE YEAR”—and restaged in a specially developed grid pattern in the Secession’s Hauptraum.


Mark Manders

‘Kitchen (reduced to 88%)’ by Mark Manders.


Liam Gillick

‘How are you going to behave? A kitchen cat speaks’ (2009) by Liam Gillick.


Zeger Reyers

‘Rotating kitchen’ by Zeger Reyers


Jacques Tati

Kitchen scene from ‘Mon Oncle’ by Jacques Tati


Emmeline de Mooij

‘Untitled’ (2004) by Emmeline de Mooij.


Rolo Projects

‘Comfort Deluxe’ (2011) by Rolo Projects (Roos van Leeuwen and Lola Bezemer)