‘A4A3A4’ (2007) by Llobet & Pons
‘Work No. 88’ (1995) by Martin Creed.
A sheet of A4 paper crumpled into a ball.
Cecilie Bjørgås Jordheim, ‘POLARSTAR’ (2009)
‘And it curled up and broke on the shore’, editing table, 16mm film loop and EKG; Still Image from loop on the editing table screen.
By dd
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Posted in Composition
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Also tagged 16mm, action, bergen, Cecilie Bjørgås Jordheim, correspondence, editing table, ekg, film, hoek van holland, installation, mechanical sculpture, poetic, romance, sky, sound, sound wave, the wild, translation, unknown, visual, water, wave
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‘Fax 69’ (1998) by Steven Pippin
By mh
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Posted in Composition
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Also tagged 69, action, desk, double, endless, fax, fun, loop, performance, romance, steven pippin, unknown
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Valérie Mannaerts, in the Un-Scene exhibition, Wiels (2008)
By dd
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Posted in Composition
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Also tagged 3d, belgium, feelings, fuckem, fun, installation, light, mystery, props, relational aesthetics, romance, sculpture, small gestures, sunglasses, the wild, toile paper, trash, Valérie Mannaerts, wiels
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‘Universal Digest Machine‘ (2005) by Marius Watz.
The Universal Digest Machine is an installation featuring a web spider that crawls the net, digesting web pages and outputting a brief analysis of their contents. The display unit is an industrial thermal printer mounted on a plinth. For every page visited by the spider, a receipt is printed, falling on the floor unless taken by a visitor.
By sk
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Posted in Abstraction
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Also tagged machine, Marius Watz, net, page, plinth, print, receipt, spider, thermal, Universal digest machine, web
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John Cage, ‘Where R = Ryoanji (3R/17)’ (1992)
By dd
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Posted in Composition
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Also tagged abstract, chance, drawing, graphite, idea, John Cage, music, operation, ryoanji, shapes, the wild, translation, white
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Nedko Solakov, from ‘Fears #84’ (2006 -07)
By dd
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Posted in Composition
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Also tagged advice, black and white, bulgaria, collection, drawing, fuckem, fun, humour, maybe, minimal, nedko solakov, no, politics, relational aesthetics, scribble, smart people, text, useful, wall, white, yes
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William Anastasi, ‘Subway Drawing (V. Dwan)’ (1968)
Riding the subway with a piece of paper lying in his lap, Anastasi would hold a pencil lightly, allowing the vibrations of the train to move it across the paper. He would often sign the image with the name of the person he was travelling to see.
By dd
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Posted in Abstraction
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Also tagged 60s, action, body, bump, chance, conceptual, DIY, doodle, fuckem, gallerist, journey, light, lines, machine, movement, pencil, people, performance, public space, riding, signature, subway, time based, uncontrollable, unknown, US, vibrations, waiting, william anastasi
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Ian Hamilton Finlay, ‘Acrobats’ (1966)
Screenprint on paper, 388 x 279 mm
By dd
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Posted in Composition
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Also tagged 60s, blue, code, conceptual, fun, ian hamilton finlay, letters, minimal, scotland, screenprint, simple, tate, text, what's in a name
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