Ming furniture designed by Hans van Dijk, installed at Witte de With CCA, Rotterdam.
By mh
|
Posted in Composition
|
Also tagged 5000 artists, China, collection, dai hanzhi, design, DIY, dutch, eastern, hans van dijk, joints, ming, rotterdam, stools, tables, unknown, Witte de With
|
Diango Hernandez, ‘No tea, no sofa, no me’ (2010)
By dd
|
Posted in Composition
|
Also tagged cuba, defamiliarize, Diango Hernandez, hijack, installation, me, reconstruct, romance, sculpture, sofa, tea, the everyday, transform, use, wood
|
‘Hotel Inter-Continental, Leipzig, Zimmer 2116, Nacht zum 12. Dez. 1999’
‘Hotel Lux, Grenoble, Zimmer 53, Nacht zum 10. Januar 1999’ by Florian Slotawa
By mh
|
Posted in Composition
|
Also tagged action, architecture, babushka, bed, collection, DIY, florian slotawa, found, fuckem, fun, grenoble, hotel room, installation, leipzig, linen, order, performance, rearrange, sculpture, shelter, stack, the wild, trash, unknown, wall
|
Sorting rack (1970) by Gerrit van Bakel
Tomás Dzadon, ‘Carpenter’s joint’ (2006)
By mh
|
Posted in Abstraction
|
Also tagged carpenter's joint, craftsmanship, cupboards, DIY, linked, links, sculpture, tomas dzadon, two, unify, wooden
|
‘All My Exes Live in Tesco’s’ (2007) by Graham Hudson.
Simon Fujiwara, ‘Desk job’ (2009)
“A typewriter sits in the middle of a desk surrounded by a litter of screwed up paper, notes typed on file cards, and reference photographs of architectural details, erotic sculpture and gay pornography. Copies of the one-page synopsis of the novel are stacked on the desk, setting the fictional parameters as it describes the novelist’s thwarted attempts to write, his ultimate seclusion and his indulgence in clandestine sexual activities inspired by and in defilation of the building’s sleek Modernist architecture. The synopsis ends with the first line of the novel: ‘A novelist is living in an exquisitely crafted modernist house …’, a line we see typed on the sheet of paper in the typewriter.” (Kirsty Bell in Frieze Magazine, Issue 132, June–August 2010)
By mh
|
Posted in Composition
|
Also tagged architecture, collection, décor, desk job, eroticism, fiction, gay, house, installation, modernist, mystery, novelist, pornography, romance, sculpture, set, simon fujiwara, text, theatre, typewriter, unknown, writing
|
Tobias Rehberger
Tobias Rehberger, ‘We Never Work on Sundays’ (1994)
Rehberger – from memory and with scant regard to technical accuracy – drew icons of 20th century design, including pieces by Marcel Breuer, Alvar Aalto and Gerrit Rietveld. He then took them to Cameroon and, working with local artist Pascale Martine Tayou, employed Cameroonian craftsmen to make replicas based on the drawings.