Tag Archives: fuckem


Bas Schevers

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Bas Schevers, ‘Impulse’ (2012)

During this one minute performance, eleven people (attendees of the opening) suddenly interrupted the existing situation with brief actions that were exaggerations of normal gallery behavior. Some examples of these simultaneously performed actions are: someone closely examining an empty corner of the space, a man was thinking of something really sad until it made him cry, two people talking to eachother while rythmically clacking their heels, someone singing in the toilet, a photographer taking pictures of the photographer and eventually two wine glasses falling on the floor in two different corners of the space at the exact same time.

Commissioned by pietmondriaan.com for our exhibition I Want to Believe. Photos by Jan Adriaans.


Mary Miss

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Mary Miss, several impressions of the exhibition ‘Perimeters / Pavillions / Decoys’ (1978)

Short PDF on the work here.


Robert Smithson

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Robert Smithson, ‘Rocks and mirror square III’ (1971)


Jacob Dahlgren

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Jacob Dahlgren, ‘Reykavik 1952’ (2009)

Cloth hangers and aluminium


Unknown

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Leon Vranken

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Leon Vranken at Z33, Hasselt (2014).


Kamikaze Loggia

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Photograph by Levan Asabashvili.

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Photograph by Krzysztof Weglel.

Some examples of informal structures called “kamikaze loggias”, the vernacular extensions of modernist buildings characteristic of Tbilisi. These extensions have been created since the 1990s as an organic response to the new, “lawless” times after the fall of the Soviet Union. They increase the living space and are usually used as terraces, extra rooms, open refrigerators, etc.

It is said that a Russian journalist named them “kamikaze”, drawing a parallel between the romantic and suicidal character of such an endeavour and the typical ending of most Georgian family names “-adze”. This architecture also refers back to the local palimpsestic building technique, which since the Middle Ages has allowed new houses to be built on top of existing ones on the steep slopes of the Caucasus Mountains thus not monumentalising the past but expanding on it for the future.

Read more about the Georgian Pavillion at the 2013 Venice Architecture Biennale here.


Yona Friedman

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Designs for the Ville Spatiale by Yona Friedman


Bethan Huws

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Bethan Huws, ‘Onion on a swing’ (2008)


Maider López

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Maider López, ‘Football Field 1’, Sharjah Art Museum, United Arab Emirates (2007)

As part of the Sharjah Biennial, artist Maider López painted the lines of a soccer field red in a public square of Sharjah, adding goals on either end. Because pre-existing features such as benches and streetlamps were not altered, the square became a strange new site for football matches where spectators relaxed on benches inside the pitch at all hours.