Alÿs released a fox, called Bandit, into the deserted gallery at night. Seen from the high viewpoint of the security cameras, the fox looks a little puzzled among all the paintings of the great and the good. Like the guards, the fox is out of context; an intruder, observed dispassionately.
Mircea Cantor, ‘Deeparture’ (as presented at the MoMA) (2005)
‘Deeparture’ involves two unwitting players, a wolf and a deer, in perhaps the most unlikely and artificial environment in which they can find themselves—a white-cube gallery.
Pascual Sisto
’28 years in the implicate order’ (2005) by Pascual Sisto.