‘Untitled (Unfinished hand)’ (2006) by Peter Coffin.
Jos de Gruyter & Harald Thys, ‘Untitled (Die schmutzigen Puppen von Pommern) 002′ (2013)
sackcloth, hay, straw and fabric
Allen Ruppersberg, ‘Remainders: Novel, Sculpture, Film’ (1991)
128 bound books with jackets, five cardboard packing cartons, and one signed paper bookmark on wood table.
An installation that mimics a publisher’s remainders display in a bookstore. The artist manipulated the presentation in provocative ways: inserting fictional titles and authors onto book covers; printing the back covers and inside jacket flaps of each book with the entire screenplay of a 1960s educational film that warns of the dangers of hallucinogenic drugs; and inserting into each book a series of full-page, black-and-white stills from the artist’s film archive.
Tercerunquinto, ‘Escultura publica en la periferia urbana de Monterrey’ (2006)
‘Escultura publica en la periferia urbana de Monterrey’ is a public sculpture on the periphery of the city of Monterrey. It consisted of a concrete foundation that was free to use by the people of Monterrey. Apart from being used as a platform for a political rally, it was transformed among others into a marketplace, a hangout, until eventually becoming claimed by a man who built his house on it. The house remains there to this day.