
‘Untitled (Passport)’ (1991) by Felix Gonzalez-Torres.
White paper (endless copies).

‘Poisoned by men in need of some love (Bubulcus ibis)’ (2013) by Petrit Halilaj.
Vitrine backdrops from the Museum of Natural History of Kosovo (print on cardboard), brass plate, one bird made of iron, soil and excrement (as shown at Wiels).

‘The Image After’ by Eva Olthof.
The Image After is a performative presentation, which consists of three parts. It deals with questions concerning archaeological objects, their (early) photographical representations and cultural heritage in times of chaos. The first part discusses an assembly of images that depicts archaeological objects belonging to a museum in Beirut. These objects were stolen just after the civil war ended in 1991 and still remain missing.

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