Patrizio Di Massimo, ‘Duet for cannibals’ (2010)
Born as a commission from the city of Milan to make a portrait of African immigrant Abdullay Kadal Traore, ‘Duet for Cannibals’ works as a dialogue between him and the artist. During the dialogue he shows Abdullay a drawing of his and ask him if he would like to make what is shown there for the commission – it’s an erotic position that they should both take.
