‘SOLONGSOLSOLONG’ (2007) by Joe Scanlan
By mh
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Posted in Composition
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Also tagged artist, Joe Scanlan, letters, romance, Sol LeWitt, SOLONGSOLSOLONG, squares, text, unknown, USA, wall
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Koenraad Dedobbeleer, ‘You Export Reality to Where It Is You Get Your Money From’ (2013)
Framework for exhibiting works, made out of steel tubes, designed after a drawing by Sol LeWitt.
By dd
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Posted in Composition
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Also tagged 3d, architecture, drawing, framework, installation, Koenraad Dedobbeleer, light, reference, sculpture, Sol LeWitt, space is the place, steel, vleeshaal, white
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Daan van Golden, ‘Composition with blue square’ (1964)
By mh
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Posted in Composition
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Also tagged An experiment to test the destiny of the world, blue, classic, Composition, daan van golden, design, found, handkerchief, lines, mondriaan, mondrian, painting, pattern, square, textile
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From the series ‘Wrong’ by Asger Carlsen
By mh
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Posted in Abstraction
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Also tagged asger carlsen, black, blob, fun, holding, light, photography, portrait, romance, strange, the wild, trash, unknown, white, women, wrong
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Ceal Floyer, ‘Wish you were here’ (2008)
By dd
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Posted in Abstraction
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Also tagged absent, ceal floyer, display, empty, funny, gone, holidays, installation, ironic, metal, missing, postcard, relational aesthetics, romance, trash, vacation
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Aleksandra Mir, ‘Plane landing in Paris’ (2008)
By mh
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Posted in Abstraction
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Also tagged airplane, Aleksandra Mir, DIY, fuckem, fun, inflatable, installation, landing, light, paris, performance, plane, public art, public space, sculpture, the wild
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‘Turf Circle, England’ by Richard Long (1966)
By dd
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Posted in Composition
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Also tagged action, black and white, circle, DIY, fuckem, grass, imitation, land art, landscape, loneliness, modification, nature, photograph, poetic, public art, Richard Long, sculpt, sixties, soil, the wild, trash, turf, uk, unearth
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David Altmejd, ‘The University 2’ (2004)
By mh
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Posted in Abstraction
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Also tagged architecture, building, complex, david altmejd, installation, light, mirror, room, sculpture, stage, stairs, university, unknown, wall
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Richards Jarden, ‘Facial Angle’ (1970)
“The angle formed on the face by two straight lines drawn from the base of the nose, the one to the base of the ear, the other to the most projecting point on the forehead. In antique statues the facial angle is usually 90 degrees. As a general principle it may be said that intelligence is proportional to the facial angle. It is at any rate an incontestable fact that the lower one descends in the human race the more the facial angle diminishes.” Jules Adeline, The Adeline Art Dictionary
By dd
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Posted in Composition
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Also tagged 4, angle, bizzare, Canada, collection, conceptual art, culture, dry, ear, ethnography, face, forehead, fun, hair, intellgence, light, mugshot, nature, nose, people, photograph, profile, proportions, Richards Jarden, study
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Michelangelo Pistoletto, ‘Structure for talking while standing, Struttura per parlare in piedi (Oggetti in meno)’ (1965–66)
By mh
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Posted in Composition
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Also tagged Abstraction, iron, michelangelo pistoletto, performance, railing, relational aesthetics, sculpture, standing, suggestion, talking, unknown, use
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