‘Rietveld Reconstruction – Diego’ (2006) by Ryan Gander.
Two Rietveld cargo chairs and Rietveld cargo table.
‘Rietveld Reconstruction – Diego’ (2006) by Ryan Gander.
Two Rietveld cargo chairs and Rietveld cargo table.
‘Breuer’, ‘Rietveld’ and ‘Eames’ from the series ‘Just chairs’ (2011) by Michael Kluver
The chairs in Kluver’s series are altered versions of modernist design classics. All pushed back into the simple archetypal form, all of them now are dominated by simple ergonomic dimensions. Same seating height, seating width, seating depth, overall height, and angle of the backrest.
Stills from ‘(Goodbye to) Manhattan’ by Ken Okiishi
Okiishi has been living between New York and Berlin since 2001, and (Goodbye to) Manhattan combines materials from that experience (filmed between 2006 and 2009) into a seventy-two-minute, semiautobiographical transposition of Woody Allen’s classic Manhattan. Okiishi’s cast of characters is pared down to Manhattan‘s three female protagonists, interpreted by key players in the artist’s actual New York/Berlin life; its script is the Google translation, into English, of the German version of Allen’s original.
Watch the video here
Tobias Rehberger
Tobias Rehberger, ‘We Never Work on Sundays’ (1994)
Rehberger – from memory and with scant regard to technical accuracy – drew icons of 20th century design, including pieces by Marcel Breuer, Alvar Aalto and Gerrit Rietveld. He then took them to Cameroon and, working with local artist Pascale Martine Tayou, employed Cameroonian craftsmen to make replicas based on the drawings.