Marcel Broodthaers, ‘Minuit’ (1969)
Part of a series entitled ‘Industrial Poems,’ ‘Minuit’ is made of a thermally shaped plastic sheet, making it possible to reproduce infinite copies of the same thing.
Marcel Broodthaers, ‘Minuit’ (1969)
Part of a series entitled ‘Industrial Poems,’ ‘Minuit’ is made of a thermally shaped plastic sheet, making it possible to reproduce infinite copies of the same thing.
Marcel Broodthaers, ‘Décor: A Conquest’ (2013)
Installation at Michael Werner Gallery, London.
Marcel Broodthaers, ‘Musée de l’art Moderne, Départment des Aigles’ (1968)
In 1968, the Belgian artist Marcel Broodthaers created an installation in his house that he entitled the Musée de l’Art Moderne, Départment des Aigles, or Museum of Modern Art, Department of Eagles. This was a fictive entity in that the museum had neither a permanent building nor a collection; nonetheless, it was elaborated by Broodthaers in about a dozen further installations. Evidence of the museum’s existence (apart from its title) ultimately encompassed specially created objects, films, and art reproductions as well as ephemera such as wall labels and signage.