Bruno Latour, 'An attempt at a "Compositionist Manifesto"', 2010,
Clementine Deliss, 'The Parallax View', Afterall, Autumn/Winter, 2000
Feona Attwood, 'No Money Shot? Commerce, Pornography, and New Sex Taste Cultures' in G. Dines and J.M. Humez (ed) Gender, Race, and Class in Media: A Critical Reader, SAGE, 2011, pp. 283-292
Mike Kelley, 'Cross-Gender/Cross-Genre' (1999), in J.C. Welchman (ed) Foul Perfection: essays and criticism, MIT Press, Cambridge, pp. 100-120
Claire Fontaine, 'We Are All Clitoridian Women: Notes on Carla Lonzi's Legacy', e-flux journal #47, 09/2013,’s-legacy/
Alfred Gel, 'The Theory of the Art Nexus', in Art and Agency: An Anthropological Theory, Clarendon Press, Oxford, 1998, pp. 12-27
Mike Kelley, 'Death and Transfiguration [on Paul Thek]' (1992), in J.C. Welchman (ed) Foul Perfection: essays and criticism, MIT Press, Cambridge, pp. 138-149
Elizabeth Grosz, Chaos, Territory, Art: Deleuze and the Framing of the Earth, Columbia University Press, New York, 2008
Boris Groys, 'Self-Design and Aesthetic Responsibility', in e-flux journal #7, 06/2009,
Artie Vierkant, The Image Object Post-Internet,
Okwui Enwezor, 'The Production of Social Space as Artwork: Protocols of Community in the Work of Le Groupe Amos and Huit Facettes', in Collectivism After Modernism: The Art of Social Imagination After 1945, University of Minnesota Press, 2007 pp.223-252
Emma Hedditch, Stay Away, Don't Stay Away: An Essay on Adrian Piper,
Adrian Piper, 'Notes on Funk I-IV (1983-1984)' in Out of Order, Out of Sight, Selected Writings in Meta-Art, vol 1, 1968-1992, 1996, pp.195-211
Adrienne Evans, Sarah Riley and Avi Shankar, 'Technologies of Sexiness: Theorizing Women’s Engagement in the Sexualization of Culture', in Feminism and Psychology, SAGE, Vol 20. (1), Los Angeles, London, New Delhi, Singapore and Washington DC, pp. 114-131
Nicholas Roeg and Donald Cammell, Performance, 1970
Emma Hedditch, Coming To Have A Public Life, Is It Worth It?, 2007,
Rosalind Krauss, The Cultural Logic of the Late Capitalist Museum, 1990,
Alison Klayman, Ai Weiwei: Never Sorry, 2012
Michel Foucault, 'How We Behave', in Vanity Fair, November, 1983,
Joshua Rothman, 'Alain de Botton's Healing Arts', in The New Yorker, November 20, 2013,
Douglas Coupland, 'I am you, and you are not me: a three part look at biography' in Ideas, Essays, and Stories for the Increasingly Real Twenty-First Century, Stenberg Press, pp. 72-92
Susan Gibb and Alex Martinis Roe, email conversation for Alex Martinis Roe's exhibition 'Autobiography of a Collective', Society, 2012,
Lucy Lippard, 'Escape Attempts', in Six Years: The Dematerialization of the art object, University of California Press, Berkley, Los Angeles, London, 1997, pp. vii - xxii,
Michael Fried, 'Art and Objecthood', 1967,
Fred Moten, 'Resistance of the object: Adrian Piper's Theatricality', in In the break: The Aesthetics of the Black Radical Tradition, University of Minnesota Press, Minnesota & London, 2003, pp. 233-254
Mathew Abbott, 'All that is solid melts into slush', in Slush Publication, by Slush (Justin Balmain, Sarah Contos, Charles Dennington, Jonny Niesche and Marian Tubbs), 2012, pp. 23-33,
Jan Verwoert, 'World as Medium: On the work of Stano Filko', in e-flux journal #28, 10/2011,
Walter Benjamin, 'The Author as Producer', in New Left Review, I/62, July-August 1970,
Hito Steyerl, 'In Defense of the Poor Image', in e-flux journal #10, 11/2009,
Jerry Saltz, 'Jerry Saltz on Kanye, Kim, and 'the New Uncanny',
Daniel Birnbaum and Isabell Graw (eds), The Power of Judgement: A Debate on Aesthetic Critique, Stenberg Press, 2010
Edouard Glissant, 'For Opacity', in Poetics of Relation, Univeristy of Michigan Press, Ann Arbor, 1997, pp.189-194
Franco "Bifo" Berardi, 'The Uprising: On Poetry and Finance', semiotext(e) intervention series 14, Los Angeles, 2012 (still reading)

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