
‘Classic No. 2’ (2012) by Thomas Rentmeister
Aleksei Kruchenykh, ‘Vselenskaia voina (Universal war)’ (1916)
Audio recording. Poems read by Masha Chlenova, 2012. The Museum of Modern Art, New York


Olga Rozanova, ‘Explosion in a Trunk’ and ‘Destruction of Gardens’ from Universal War, an artist book by Aleksei Kruchenykh (1916)
‘Battle of the Futurist and the Ocean’ (~1916)


On March 12, 1919, the Chelsea Arts Club held a costume party, called a Dazzle Ball, at Royal Albert Hall in London. It was inspired by the abstract geometric shapes on camouflaged ships in World War I , a method that was first employed by the British, who called it “dazzle painting” or dazzle camouflage. When the Americans adopted a comparable method, they referred to it by other names, among them “baffle painting,” “jazz painting,” and (rarely) “razzle dazzle.”

William Pope.L
William Pope.L, ‘The Great White Way, 22 miles, 9 years, 1 street’ (2001-ongoing). From the larger series ‘eRacism’.
People who are forced to give up their verticality are prey to all kinds of dangers. But, let us imagine a person who has a job, possesses the means to remain vertical, but chooses momentarily to give up that verticality? To undergo that threat to his/her bodily/spiritual categories—that person would learn something. I did… Now I crawl to remember. – William Pope.L